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Journal articleRTP-00003045Open AccessDOI 10.5281/zenodo.22975550

The Liar in the Telling: A Historical Development Review of the Unreliable Narrator from Chaucer to the Cognitive Turn

Zenodo (CERN European Organization for Nuclear Research) · 2026 · European Organization for Nuclear Research

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Abstract

This article offers a historical development review of the unreliable narrator, the narrative device whose theorization by Wayne Booth in 1961 named a practice as old as Chaucer's Pardoner and whose career through modernism, postmodernism, and the cognitive turn reorganized narrative theory's account of who speaks in fiction. The review reconstructs the development across five phases: the prehistory, Chaucer's self-indicting Pardoner and the first-person masks of the picaresque and confessional traditions, whose speakers test the distance between tale and teller; the coined term, Henry James's figural experiments in What Maisie Knew and Booth's Rhetoric of Fiction, whose 1961 definition made unreliability a technical instrument of rhetorical analysis; the modernist laboratory, Ford Madox Ford's Dowell and Agatha Christie's Dr. Sheppard, whose violation of the Watson convention exposed the genre contract's dependence on narrative honesty; the great practitioners, Vladimir Nabokov's Humbert and Kazuo Ishiguro's Stevens, whose self-deceiving masters converted the device from trick to tragedy; and the theorists' debate, Gerard Genette's distinction of voice and focalization, Dorrit Cohn's typology of consciousness, William Riggan's taxonomy, and the cognitive turn of Monika Fludernik, Ansgar Nünning's synthesis, and James Phelan's bonding and misguiding, whose plural frameworks rebuilt what the rhetorical definition had simplified. Three synthetic claims are advanced. First, unreliability is a relation between teller, tale, and audience rather than a property of narrators alone. Second, the device's history tracks the novel's changing contracts of sincerity, from the confessional pose to the diagnostic. Third, the cognitive turn's reconstruction made unreliability the general case of interpretation. An agenda is proposed spanning unreliable narration in machine-generated text and the ethics of witnessing.

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